Showing posts with label Moments. Show all posts
Showing posts with label Moments. Show all posts

Tuesday, June 17, 2014

পরবাস

অফিসফেরৎ দরজা খোলে
মিশকালো এক অন্ধকার,
হাতছানি দেয় মদের গেলাস,
সর্বনাশের সমঝদার
।
ফ্রিজের ভিতর একফালি চাঁদ,
পরশুদিনের রান্না
।
বুকের ভিতর গাঢ় বিষাদ
স্মৃতির ভিতর কান্না
।

আমার রাজ্যে আমিই প্রজা,
আমিই আমার অধীশ্বর।
সপ্তাহান্তে গুছিয়ে রাখি
ড্রয়ার, টেবিল, আমার ঘর
।
তোমায় নিয়ে রোজ ভাবিনা,
আমার অতো সময় নেই।
নানান কাজে ব্যস্ত থাকি,
ভুলেও থাকি, অজান্তেই
।


বললে তোমায় বলতে তুমি
অমন আবার হয় নাকি?
আসল প্রেমতো আটকে রাখে,
উড়তে চাওয়া স্রেফ ফাঁকি!
আসলে তো সবাই পালায়,
কে কার বলো খোঁজ রাখে?
সবার ঘরের আলমারিতে
কত্ত রকম লোক থাকে!

তুমিও যাকে বাসছো ভালো
সেও আসলে মানুষ তো?
মাথার ভিতর মুখের মিছিল,
মুখ না মুখোশ, মুখস্থ।
পড়বো কখন কিসের মুখোশ?
এই দোলাচল, চলবে,
এই পরবাস, এ নির্বাসন
নাকি পলায়ন, বলবে?

Tuesday, August 28, 2012

Kawtha bolbe na?


তোমার শহর বড্ড বোকা, জানো?

বুকের ভিতর জমিয়ে রাখে ভয়।

তাকিয়ে তোমার মুখের দিকে রোজ

এই বুঝি সব হারিয়ে ফেলতে হয়।


হারিয়ে গেলে ঠিকানা গলিঘুঁজি

শহর জুড়ে বিজ্ঞাপনের মুখ,

তোমার চোখে জলের কণা ছিল,

ছিল অবিশ্বাসের অসুখ।


তবুও শহর হাল ছাড়েনা, জানো?

খুঁজেই চলে তোমার কথার রেশ।

হারিয়ে গেছে তোমার শব্দমালা?

অপেক্ষাতেই একলা আছে, বেশ। 




Tomar shahar boddo boka, jano?
Buker bhitor jomiye rakhe bhoy.
Takiye tomar mukher dike roj
Ei bujhi sawb hariye felte hoy.

Hariye gele thikana golighunji
Shahar jure bigyaponer mukh,
Tomar chokhe joler kawna chhilo,
Chhilo awbiswaser awsukh.

Tobuo shahar haar manena, jano?
Khunjei chawle tomar kawthar resh.
Hariye gechhe tomar shawbdomala?
Awpekkhatei ekla ache, besh.

Tuesday, April 03, 2012

Keu kono mathar dibyi deyni


খুব অনেক রাতে
আমার জন্যে কেউ জাগেনা
ফোন বুক হাতড়াই
ফেসবুক হাতড়াই
বুক হাতড়াই
কোন নাম ফোটে না
আলো জ্বলে না।

গভীর রাতে খুব অন্ধকার
আলো জ্বলে না
ফোন করলে ধান্দাবাজ ভাবে
একা একা রেডিও বাজে
একটা-দুটো পুরোন গান
হঠাৎ হঠাৎ একলা বাজে
কি সব যেন মনে পড়ে।

গভীর রাতে আমার মত কেউ জাগেনা।



Khub onek ratey
Amar jonne keu jagey na
Phone book hatrai
Facebook hatrai
Buk hatrai
Kono naam photey na
Alo joley na.


Gobhir ratey khub awndhokar
Alo joley na
Phone korle dhandabaaj bhabe
Eka eka radio bajey
Ekta duto purono gaan
Hothat hothat ekla bajey
Kishob jeno mone porey.


Gobhir ratey amar moto keu jagey na.

Tuesday, October 11, 2011

Woh kagaz ki kashti...


"Tum chale jaoge to sochenge,
Humne kya khoya, humne kya paaya,

Zindegi dhoop, tum ghana saaya
Tumko dekha to iye khayal aaya..."

I was just an average kid from 80s. I was from a very middle class family, where the television belonged to the whole locality and VHS tapes were still in fashion. I had a bunch of cousins who were in their youth at that point of time and they liked music. They had a two-in-one and some cassettes. One of their distant relatives used to sing ghazals and thumri. Once or twice, she sang in the AIR Calcutta A. That was some feat then. Not everyone was a singing star performing in TV shows, radio channels or pubs. Pubs were considered low culture, TV had just one channel and radio was state run. Marriage functions were great places to hear some original voices. But Hindi film songs were considered too vulgar. That's just to give you the idea why the ghazal made a way in the middle class milieu and became an integral part of the middle class identity. Later, while doing my masters thesis, I'll find out "classical music was too heavy for the middle class, Hindi film songs were too lowly. The pop-ghazal had the perfect balance." 

   I'm grateful too my cousins for introducing me to a lot of music I'd later develop a taste for. Little did they know how music gets engraved in our mind. I was just a school boy. It is among those bundles of audio cassettes I heard Jagjit Singh's voice for the first time, along with Chitra Singh. I can't remember the name of the album, but it was a compilation of film hits by the pair. The cassette inlay had a black background with the face of the pair and had the song that'll become one of my all time favourites. At that point I had no idea what it meant, nor did I understand the musical technicalities. I recall now, I somehow retained the memory of the sound. It was the 80s, music came in magnetic audio tapes, films were in Eastman-colour, something called "Parallel Cinema" was still there, Shabana Azmi, Smita Patil, Naseeruddin Shah, Raj Babbar, Farukh Sheikh, Amol Palekar were stars of the 'intellectual' middle class, Jagjit-Chitra or Bhupinder Singh were preferred voices for music.


   As I grew up to my own teenage during the 90s, cassettes were still in use. Digital technology did come in, but it was still too costly for the middle class. Some of my friends had them, but they were a still a little more revered to be treated as entertainment gadgets. So we had our Walkmans, two-in-ones, tape-decks... The wealthier could afford a Music system, that had two cassette players and a CD player. One of the cassette players could also record anything from the other cassette, the CD or the FM radio. Oh yes, private FM channels had already come in, but they were not as many or as talkative as today and their reception depended on the position of the antenna! Being able to record was quite a technological challenge. You had to time the two devices, push the switches in the right order and be able to handle them. It demanded practice and efficiency. If you missed something, it meant a series of rewinding and fast forwarding and doing it again. Buttons have not appeared and switches had to be pushed and not touched. I was kind of a techie already. So I mastered the art. One of my close friends had a music system and I had the urge. Initially, we tried that to copy whole cassettes. We were simply unaware of the term "piracy"! Then we started recording stuff for plays at school and locality. But the triumph was the compilation cassette. We sourced a variety of songs from  multiple origins, recorded them in a well thought order and gifted them to the person we wished to impress. CDs were too costly and too complicated to burn. In fact, the cassette was just the right size. A CD would've provided too much space. The number of songs on a compilation cassette could range from 8-12. All that effort just to say a three letter word. Hell, I miss the 90s! Needless to say I was quite a champion of it, doing it for myself and for my friends as well. It was the 90s, music was changing, it was the time for remixes and remakes. Cinema was changing, so were its preferred stars. But, there were a few songs that would appear on almost all such compilation cassettes.


   That was the second time I encountered Jagjit Singh's voice and fell in love. My friend could afford the original cassettes, I would just record. Many of our teenage afternoons were spent listening to them. He was on a singing spree. My friend predicted he'll become silent in a few years. He didn't, and thank god he didn't! As I grew up my music changed. I shifted from one genre to another, but somehow I always felt comfortable in melody and in baritone. The romantic intonations and the brilliance of words somehow kept going with me. I grew older, and after quite some experiments with music, a few years back I started coming back to Hindustani Classical music. Once again ghazal was my way in. As I struggled with the concepts and grammar of it, I downloaded a whole collection of Jagjit Singh's works. Those who understood Hindustani music better than me, told me he isn't good enough. But then, one just doesn't have to be good to make one feel at peace. Before the technical knowledge comes the inexplicable liking for it. That's why when a popular artist fades away, they take too many memories with them. Too many to consist an era.

   I had an affinity for Ghalib's poetry. I don't know why, I think I can trace it back to the same period when the TV serial on his life was being telecast. There is something about that period, that determines my middle class existence, my cultural roots. I now know there are a lot of things about it that's not politically correct or very mediocre, but I refuse to grow old without my childhood and teenage reality. In the past few weeks I've had a new friend. That is not so normal given the person I've become these days. She has re-introduced me to the world of Urdu poetry. In one of our very early conversations she text me some lines from Ghalib. I had downloaded all episodes of the Mirza Ghalib TV serial from torrents a few months back. It is the new millennium, everything's on the internet, poetry is available as e-books, music can be transferred and heard through phones, every computer is a film archive. As I am blogging this very personal and unusual obituary, I'm thinking I'll listen to the complete works of Jagjit Singh once more, and fall in love again.



Monday, June 07, 2010

In search of a recipient

Some nights I browse through my contacts list and I don't see a single friend. What did I do to deserve this?

Love and faith has done more damage to the human race than hatred and skepticism was ever capable of.

Also, no one really reads this blog.. I feel there are two things I can do with it, shut it down or may be it's time to actually express things I usually don't because they are too dangerous for language itself...

Saturday, May 01, 2010

Of loves gone by...


সকলই ফুরায়, ফুচ্‌কার প্রায়, পড়ে থাকে শালপাতা...

Saturday, October 03, 2009

Can't name you

There are some moments in life when you feel like dieing because it wont be worth living after witnessing such beauty. I've got a post on hold, one that is long due now. I've started writing it, but can't really get anywhere. I may publish it unfinished. But this one, I must post now. I'm afraid I wont be able to write about it, if this moment passes. I've been checking her album. She accepted the request today and she has written a post in her blog. Can't write the words of admiration that I want to as photo-comments. It'll be too much out-in-the-open. Some feelings, you need to hide. Murmur in her ears in private, in person, silently. Can't do that either. Can't fall in love with her. Twitted the moment, "There are two ways out of her eyes, love or death..." Love is an impossible option, death isn't even an option. I hate it! I know this is momentous, but moments I believe in. Eternity doesn't have the ability to hold it. Why does it happen to me? I should be dead, or in love...

Goddess, give me a camera and let me look at you.. forever... for this moment. I wanted to die, sincerely! Call me a cynic... but that's the truth!

Friday, September 18, 2009

Ebhabeo phire asa jaay

Tomorrow is Mahalaya, the auspicious beginning of the yearly festive season of West-Bengal, Durgapuja. For my non-Kolkata friends, this post will have a lot of local references, please bear with me.

Ashtamis have always been special for me. When I was younger, I used to go to the local pandal to offer my Anjali and probably to pray for the results that were due after the holidays or may be something more worldly, like a new cap-gun for the next Kalipuja. When I grew into a teenager, those mornings seemed a little brighter. The obvious added attraction were the members of the other gender. One of my friends once said, "Never look at a girl on Ashtami or Saraswati puja, They all look extremely beautiful on those two occasions. Even if you ogle a few, never fall in love!"

As if I never knew that, as if I was going to fall in love with all of them, as if I was going to listen to him! So, I continued to satisfy my visual domain. I hope they enjoyed that too. I didn't mean to disturb them, but if one of them actually felt so, then, "Shit! I missed you!"

There have been Ashtamis when I've spent the whole day with the woman I considered the love of my life, at least for that year, at least for that puja! There have been Ashtamis on which I have had my birthday and there was no special woman with me. So I drank to glory, did all sorts of stuff. Thanks to my friends who had to tolerate me on those days! I've had a Ashtami when I was sitting at the topmost box of a giant wheel, with the woman I was trying to impress. It stopped there for half an hour or so due to some maintenance problem. I was happy because my rival was waiting for us on the ground, he had a high BP. Hell, I liked giant wheels on that day, I was dead-scared of them before that!

But lately, I have hardly had a Ashtami to remember. These days I spend my puja days sitting idle at home or partying with some chosen friends. I hardly have a puja to remember now, they all look the same. But I can't go out of town during those days either, for that would be an act of betrayal to my beloved city. I used to pandal-hop, but my friends have grown old and it's no fun doing it alone. Young-guns wont take me with them because nobody wants a spoilsport. After all, it's their time to explore things, their way.

But as the puja approaches near, I suddenly remember a certain Dashami. I have special memories of Dashamis, those antics on the truck known as Vashan-dance and the Siddhi trips to follow. The Siddhi turned into alcohol and the antics became a convenient way to convey machismo to fellow-women! Life! Anyway, this is not one of those.

This is one piece of memory that came back to me today, like a forgotten piece of an incomplete fabric. Not that the fabric looked bad without it but it just adds a new colour to the whole spectrum. I wanted to meet this certain young lady on one of the puja days. It didn't seem convenient for any of us during the main puja days. So she asked me to come to Maddox Square on Dashami to meet her. I wasn't too happy with the idea, but I hardly had an option when she said it's either that way or nothing. I've always chosen madness over nothingness!

Most of us have never been to Maddox Square on Dashami. Maddox Square is famous for its addas on the other puja days, which now has become a bit too crowded and drunk. The calm adda spot has started giving in to commercial hot-spots and the allies of new capital. Weirdly enough, all these lasts till Nabami. I noticed it on that Dashami.

She said she'll come to play vermilion (Sindur-Khela, as it is popularly known) with friends. Though it's an activity for married women, many unmarried young girls join the game. The idea wasn't new to me, but I didn't expect her to be so enthusiastic about it. Anyway, I reached the spot and found her. Unlike the other puja days, it was a gathering of hardly hundred people, wasn't at all that difficult to find her.



She was busy playing, saw me and asked me to wait. And there I was, seated on a wooden plank, which was placed there probably to serve as a make shift stage for some show last night or may be the floor of a shop that has already been dismantled. I sat there for some half an hour. She played with her friends and strangers sometimes and I watched her. As the festival was coming to an end and the day surrendered to the evening gloom, I watched her,clad in the traditional bengali red-bordered white sari, smudged in vermilion and gloomy orange twilight, that mixed the last rays of the sun with the halogen rays of the half-lit street lamps. There she was, hardly ten feet away from me, the perfect picture of youth and glory and there was I, seated on the signs of destruction and gloom, marked by the scattered paper cups, torn newspapers and fliers used for sitting, dismantled shops and what not. She'll come to me, sit with me for a few minutes, exchange a few words and then she'll be gone again, lost in the strangers and my eyes tried their best to follow her in the crowd till she came back the next time. If and when I find her and she sees me, she'll throw a few glances that meant eternity to me.


This went on for quite some time. But as the lights started to turn into mere street-lamps and the sun was already gone, I witnessed a moment pass by. I knew inside me this woman will never be mine, she doesn't even have the slightest idea about my feelings, she's too used to attention and she is just enjoying the game. I was some twenty five-ish, she was just twenty-ish. We two were too different to be together, may be she had someone else in mind. But the sheer impossibility of the situation kind of helped the image to stay on in my mind. I knew this puja is over, this relation wont work out, but much more than that was the feeling that this moment of madness that has driven me to this place, that signifies both destruction and rejuvenation, will not be here anymore. All that is here and now, will soon be gone. Everything I may have expected is just a wishful thinking and I wont mourn their passage. But all that is here and now will never be with me ever again, is what mattered. She finally got out of the play and came to me, with two friends. Asked me to take a few snaps, I did. Sat beside me and exchanged some soft words. But by then the moment had passed, the madness had already subsided. Logic has taken its place. I took a taxi and dropped her at Dakshini, she wanted to walk past someone's house. I hardly cared. Next day was her birthday.

I thought this incident had left me that very day, but it has proved that things that I keep doing just for nothing, just to reassure myself that I'm still alive in this concrete jungle, to watch myself committing the same mistakes over and over again, are the memories that define my existence, by coming back to me on a Mahalaya morning. As I post this to my blog, the old obsolete radio in my parent's room has already started broadcasting the age old voice that any bengali will recognise, even sitting in some distant part of the world. But I don't have the moral binding to listen to it now. I'll play the downloaded MP3 sometime during the day, at my convenience.

Saturday, June 27, 2009

MOON-WALK-OVER

M-TV was showing it.
When we grew up, there was a channel called DD2.
It showed 2 hours of M-TV, from 4 to 6 in the evening, or something like that.
We were not allowed to watch such 'vulgarity!
But we did, who listens to 'don'ts' at the teenage?
One of the videos I remember is this one....



I wasn't a fan.
But some stars never "grow up".
Refuse the progress of time, by embracing death before his farewell concert. Never kneel down.
MJ is no more.
But more than the star, it means the end of an era for us.
An weird fear creeps inside me, feels like, the whole of our teenage is now part of history... dead.
Can't "Beat it"....

Friday, June 19, 2009

Revelation or love?

“There is nothing more sexy in the world than a man wanting to be saved. It suggests that the man may have Depth and Sensitivity. That he wants redemption. It suggests that underneath all that trouble, there is a possibility of a SOUL. I guess many find the damsel in distress in u attractive, including me.”
Good morning sms from an unknown number